Dreyer:Prastankan, 1921 (The Parson’s Widow)Michael, 1924La Passion de Jeanne D’Arc, 1928 (The Passion of Joan of Arc)Vampyr, 1932Vredens Dag, 1943 (Day of Wrath)Ordet, 1955 (The Word)Gertrud, 1965Marcel Duchamp:Anemic Cinema, 1926 (with Man Ray)Viking Eggeling:Symphonie Diagonale, 1924Sergei Eisenstein:Stachka, 1925 (Strike)Bronenosets Potyomkin, 1925 (Battleship Potemkin)Oktyabr, 1928 (October)Staroye i Novoye, 1929 (Old and New)Ivan Grozny, I, II, 1944, 1946 (Ivan the Terrible)Jean Epstein:La Glace à Trois Faces, 1927 (The Three-Sided Mirror)La Chute de la Maison Usher, 1928 (The Fall of the House of Usher)Louis Feuillade:Fantomas, 1913-14Les Vampires, 1915Tih Minh, 1919Robert Flaherty:Nanook of the North, 1922Man of Aran, 1934Bob Fleischner:Blonde Cobra, 1962 (with Ken Jacobs)Hollis Frampton:Zorns Lemma, 1970Hapax Legomena I: (nostalgia), 1971Georges Franju:Le Sang des Betes, 1949 (Blood of the Beasts)Robert Frank:Pull My Daisy, 1959 (with Alfred Leslie)Ernie Gehr:Reverberation, 1969Serene Velocity, 1970Still, 1971Jean Genet:Un Chant D’Amour, 1950 (The Song of Love)Dwinell Grant:Contrathemis, 1941Stop Motion Tests, 1942Color Sequence, 1943D. Anthology Film Archives is an international center for the preservation, study, and exhibition of film and video, with a particular focus on independent, experimental, and avant-garde cinema. 1915-1972], [ca. Chumlum was selected as one of the 330 films in Anthology Film Archives' Essential Cinema Repertory Collection as chosen by the selection committee of Stan Brakhage, James Broughton, Ken Kelman, Peter Kubelka, Jonas Mekas and P. Adams Sitney. Get this from a library! Therefore it was decided to create what became known as the Essential Cinema Repertory collection. 11, c. 1957 (Mirror Animations)No. To celebrate half a century devoted to avant-garde cinema, Anthology has just made the entire thirty-five-minute … [P Adams Sitney; Anthology Film Archives. Anthology Film Archives’ Essential Cinema. The final selection of films would come to be called the The Essential Cinema Repertory. Filmography. (212) 505-5181 | Contact | Press | Website Development by Reflexions Data and TransFuture | Terms of Use. An international center for the preservation, study, and exhibition of film and video with a particular focus on American independent and avant-garde cinema and its precursors found in classic European, Soviet and Japanese film. 1960-1970] (bulk) Campbell University, Wiggins Memorial Library: referencedIn: Benedict Tatti Papers, 1936-2011, bulk 1945-1993 Archives of American Art: creatorOf: Anthology Film Archives. The Essential cinema : essays on films in the collection of Anthology Film Archives. But fate had other plans for us. 1-5, 7, 10, c. 1946-59 (Early Abstractions)No. It's more complete than the one already on Letterboxd. *FREE* shipping on qualifying offers. 14, 1964 (Late Superimpositions)No. The project was never completed, but even in its unfinished state the series provides an uncompromising critical overview of cinema’s history. With the enthusiastic support of Jerome Hill, the Committee, consisting of P. Adams Sitney, Peter Kubelka, James Broughton, Ken Kelman, and myself – and for a brief period Stan Brakhage – began its work. Owen Land):Fleming Faloon, 1964Film in which there Appear, Sprocket Holes, Edge Lettering, Dirt Particles, etc., 1966Diploteratology or Bardo Follies, 1967The Film that Rises to the Surface of Clarified Butter, 1968Institutional Quality, 1969Remedial Reading Comprehension, 1971What's Wrong With This Picture?, 1972Thank You Jesus for the Eternal Present (Parts 1 & 2), 1973-74Laurel and Hardy:Selected Films (One Program per Cycle)Fernand Léger:Ballet Mécanique, 1924 (with Dudley Murphy)Alfred Leslie:Pull My Daisy, 1959 (with Robert Frank)Helen Levitt:In the Street, 1952 (with Agee & Loeb)Janice Loeb:In the Street, 1952 (with Agee & Levitt)Louis & Auguste Lumière:Selected Films (One Program per Cycle)Len Lye:Tusalava, 1928Trade Tattoo, 1937Rhythm, 1953Free Radicals, 1958Willard Maas:Geography of the Body, 1943Christopher MacLaine:The End, 1953Gregory Markopoulos:Du Sang, de la Volupte et de la Mort, 1947-48 (Of Blood, of Pleasure and of Death)Psyche, 1948Swain, 1950Twice a Man, 1963Himself as Herself, 1966Ming Green, 1966Eros, O Basileus, 1966The Illiac Passion, 1967Gammelion, 1968Jonas Mekas:Walden: Diaries, Notes and Sketches, 1964-69Reminiscences of a Journey to Lithuania, 1971Georges Méliès:Selected Films (Four Programs)Selected Films (Five Programs)Selected Films (Four Programs)Marie Menken:Glimpse of the Garden, 1957Arabesque for Kenneth Anger, 1961Eye Music in Red Major, 1961Notebook, 1962-63Go! About this product. Ongoing "A very special series of films screened on a repertory basis, the Essential Cinema Repertory collection consists of 110 programs/330 titles assembled in 1970-75 by Anthology’s Film Selection Committee – James Broughton, Ken Kelman, Peter Kubelka, P. Adams Sitney, and Jonas Mekas. Opened in 1970 to showcase the Essential Cinema Repertory collection, Anthology has grown far beyond its original concept to encompass film and video preservation; the formation of a reference library containing the world’s largest collection of books, periodicals, stills, and other paper materials related to avant-garde cinema; and a remarkably innovative and eclectic film … An international center for the preservation, study, and exhibition of film and video with a particular focus on American independent and avant-garde cinema and its precursors found in classic European, Soviet and Japanese film. The Avon Foundation, Jerome’s foundation behind the Anthology project, which had built a special, Invisible Cinema theater, designed by Peter Kubelka and had paid for the acquisition of all the prints voted into the Essential Cinema collection and the running of Anthology, was taken over by people who did not share Jerome’s vision. Frenhofer and the Minotaur, 1949The Lead Shoes, 1949Francis Picabia:Entr’acte, 1924 (with René Clair)Vsevolod Pudovkin:Mat, 1926 (Mother)Man Ray:Le Retour à la Raison, 1923 (Return to Reason)Emak Bakia, 1927Etoile de Mer, 1928Anemic Cinema, 1926 (with Marcel Duchamp)Jean Renoir:La Règle du Jeu, 1939 (Rules of the Game)Ron Rice:Chumlum, 1964Hans Richter:Rhythmus 21, 1921Alles Dreht Sich, Alles Bewegt Sich, 1929 (Everything Revolves, Everything Turns)Zweigroschenzauber, 1929 (Two Pence Magic)Leni Riefenstahl:Triumph des Willens, 1934-35 (Triumph of the Will)Olympia, 1938Roberto Rossellini:Francesco, Giullare di Dio, 1949 (The Flowers of St. Francis)La Prise de Pouvoir par Louis XIV, 1966 (The Rise to Power of Louis XIV)Walter Ruttmann:Berlin, die Symphonie der Grosstadt, 1927 (Berlin: Symphony of a City)Paul Sharits:N:O:T:H:I:N:G, 1968T,O,U,C,H,I,N,G, 1969S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED, 1968-70Color Sound Frames, 1974Harry Smith:No. The film archive and theater is located at 32 Second Avenue on the southeast corner of East 2nd Street, in a New York City historic district in the East Village neighborhood of Manhattan Fireworks (1949) on IMDb: Movies, Tv, Celebrities, and more... LATEST HEADLINES. 1957A Legend for Fountains (photographed ca. "In 1968, thanks to the foresight of Jerome Hill, a filmmaker and a visionary philanthropist, there arose an occasion to create in New York a film museum dedicated exclusively to film as an art. See full article on Underground Film Journal 1, 1956Jamestown Baloos, 1957Eyewash, 1959Blazes, 1961Pat’s Birthday, 1962Breathing, 1963Fist Fight, 196466, 196669, 196970, 1971Gulls & Buoys, 1972Fuji, 1974Robert Bresson:Les Dames du Bois de Boulogne, 1944 (The Ladies of the Bois de Boulogne)Le Journal d’un Curé de Campagne, 1950 (Diary of A Country Priest)Un Condamné à Mort s’est Echappé, 1956 (A Man Escaped)Pickpocket, 1959Au Hasard, Balthazar, 1966Mouchette, 1966Une Femme Douce, 1969 (A Gentle Creature)James Broughton:The Potted Psalm, 1946 (with Sidney Peterson)Mother’s Day, 1948Four in the Afternoon, 1951Loony Tom, the Happy Lover, 1951The Pleasure Garden, 1953The Bed, 1968Nuptiae, 1969The Golden Positions, 1970This Is It, 1971Dreamwood, 1972Testament, 1974High Kukus, 1974Luis Buñuel:Un Chien Andalou, 1928 (An Andalusian Dog) (with Salvador Dali)L’Age D’Or, 1930 (The Golden Age)Land Without Bread, 1932Los Olvidados, 1950 (The Forgotten)Alberto Cavalcanti:Rien que les Heures, 1927 (Nothing but the Hours)Charlie Chaplin:A Woman, 1915A Night in the Show, 1915Easy Street, 1917Cure, 1917Payday, 1922The Gold Rush, 1925Selected Features (One Program per Cycle)Selected Shorts (One Program per Cycle)René Clair:Entr’acte, 1924 (with Francis Picabia)Jean Cocteau:La Sang d’un Poete, 1930 (The Blood of a Poet)La Belle et la Bete, 1946 (Beauty and the Beast)Orphée, 1950Le Testament D’Orphée, 1960 (The Testament of Orpheus)Bruce Conner:A Movie, 1958Cosmic Ray, 1961Report, 1965Tony Conrad:The Flicker, 1966Joseph Cornell:Rose Hobart, 1939Cotillion (finished by Larry Jordan, 1969)The Midnight Party (finished by Larry Jordan, 1969)The Children’s Party (finished by Larry Jordan, 1969)Centuries of June, 1955Aviary, 1955Gnir Rednow, 1955Nymphlight, ca. 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