It's a thoughtful (but rollicking, and sometimes bitter) collection that traverses the grounds of loss, lust, and stories from a thousand little roadside bars across America. More than that, it’s a really fine distillation. Looking back, most would agree that among the most prominent peaks in the entire mountain range is Lucinda Williams’ Car Wheels on a Gravel Road. But the stellar vocals (Wyatt Espalin) and tasty fiddle break (Espalin again) make for a winning combination. Let’s pull over to admire the achievement. Here’s a very different version of “Lake Charles,” from a much different artist and setting—but it’s a complete version. After squabbles with Earle, Williams took the project from Nashville to L.A., with new producer Roy Bittan of Springsteen’s E Street Band. Écoutez Car Wheels On A Gravel Road par Lucinda Williams sur Deezer. length: 4:45 vocal: Lucinda Williams and Buddy Miller mixer: Rick Rubin and Jim Scott electric guitar: Gurf Morlix percussion: Donald Lindley co-producer: Lucinda Williams drums (drum set): Donald Lindley The formative period for Alt-Country ended by 2000 or so, with the final uplift being the soundtrack to O Brother Where Art Thou, a project that help usher southern-style folk music beyond certain enclaves in Austin and Nashville. [22] In The Rolling Stone Album Guide (2004), David McGee and Milo Miles said it is a masterpiece of timeless quality and greater depth than anything else by Williams, who offers a perfect collection of "faces, fights, keening swamp guitar and sighing accordion, strong drink and stronger lust in an album about places shadowed by memory". [17] Village Voice critic Robert Christgau argued at the time that she proves herself to be the era's "most accomplished record-maker" by honing traditional popular music composition, understated vocal emotions, and realistic narratives colored by her native experiences and values:[18], Williams's cris de coeur and evocations of rural rootlessness—about juke joints, macho guitarists, alcoholic poets, loved ones locked away in prison, loved ones locked away even more irreparably in the past—are always engaging in themselves. [2] Universally acclaimed by critics, it was voted as the best album of 1998 in The Village Voice's annual Pazz & Jop critics poll. It’s also the subtle changes unique to their arrangement, and the deft guitar- and banjo-playing. [1], Car Wheels on a Gravel Road was met with widespread critical acclaim. Copeland’s band is not kidding around; they are deep in the pocket and bringing the singer obvious delight. In the end it all worked out (though Gurf Morlix may disagree): William got a certified gold record, and America(na) got a landmark album for music lovers of all persuasions. It even takes a side-trip into the Beatles’ “I Want You (She’s So Heavy).” Call it Car Wheels on Abbey Road maybe? Call it the Alt-Country range, or the Roots/Americana mountains, or whatever you like. 13 tracks (53:09). Grammy Award for Best Contemporary Folk Album, "Lucinda Williams Tops Folk Albums Chart, U2 Hits Alternative Songs Milestone", "Car Wheels on a Gravel Road – Lucinda Williams", "Dandy Williams: Much delayed and breathlessly awaited, Lucinda's gritty new cycle of songs Wheels so good", "Lucinda Williams, 'Car Wheels on a Gravel Road,' Mercury", "Lucinda Williams – Car Wheels on a Gravel Road", "Lucinda Williams: Car Wheels on a Gravel Road", "Lucinda Williams – Car Wheels on a Gravel Road CD Album", "Lucinda Williams – Car Wheels on a Gravel Road, Deluxe Edition", "500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time", https://en.wikipedia.org/w/index.php?title=Car_Wheels_on_a_Gravel_Road&oldid=999646281, Short description is different from Wikidata, Album articles lacking alt text for covers, Wikipedia articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License, "Still I Long For Your Kiss" (Alternate version) (Williams, Jarvis) – 5:00, Recorded live on July 11, 1998, at Penn's Landing in Philadelphia, "Something About What Happens When We Talk" – 3:44, "Still I Long For Your Kiss" (Williams, Jarvis) – 4:39. ), Lucinda Williams breaks rules. Sweden’s The Tallest Man on Earth has been sharing a cornucopia of covers during quarantine. Car Wheels won the Grammy for Best Contemporary Folk Album, but no track broke through to mainstream acclaim. So we can follow suit and get outside the usual conventions with the artist Stoner. Car Wheels on a Gravel Road would go on to win the Grammy for Best Contemporary Folk Album. Powerhouse blues vocalist Barbara Blue nails this tribute; if she didn’t know Foley herself, it seems certain that she knew someone like him. It’s a nice moment when they sing in unison on the verses, but switch to harmonizing on the refrain. Genres: Alt-Country, Americana, Singer/Songwriter. The album is over 20 years old, but time doesn’t wear it down, and in the rear view mirror it still looms large. If the loud cheering seems out of step in this performance by Heart, remember that the song is also a celebration of place: especially Lake Charles, Louisiana, where this show took place. Are they aware of the Skipperdees? (If you put a map pin down on all the places name-checked on this album, you’d have a colorful map.) (Check out their cover of the B-52s to see their more exuberant side.) But the version to spotlight here is by the late great Duane Jarvis. The 5-string banjo rendition of “Greenville” is from a recent lockdown session, and it sounds really fresh–one part old-timey Appalachian music, one part traditional Celtic music, and one part Chris Thile. Even then the drama was far from over, but here it becomes a tale of record label shenanigans rather than music-making. Car Wheels is so marinated in Louisiana that a Cajun-flavored accordion sound has to be part of our mix. late-’90s hip-hop influence? I really like this one. This first take offers a double-take, with twin sisters Emily and Catherine Backus, aka the Skipperdees, joining forces on “Right in Time.” It’s not just the sibling harmonies that make it a winner, though there’s certainly that. If Car Wheels defies neat categorization, “2 Kool” is one of the reasons for that. Even the title of this album, Car Wheels On A Gravel Road, is so idyllic in its bluntness and exactitude. He sings, in comparison, with a cool remove–2 Kool, some might say–but one that is in keeping the spareness of the piano. Car Wheels is so marinated in Louisiana that a Cajun-flavored accordion sound has to be part of our mix. Country blues, honky-tonk, Southern Gothic ballads, and even some good old heartland rock make it onto the Car Wheels quilt. [6] Williams incorporated country and blues elements into her modern roots rock style for the album. Williams left two successive producers in the ditch along the way, both of them long-time friends. 558 338-2; CD). You know he means business, since he recorded his most recent album in the cabin that Johnny Cash built (later converted to a recording studio). This is the only cover on our list with a piano arrangement—no guitars take part, nor does any other instrument. We come to yet another of Lucinda’s odes to a lover or friend who has passed—a prayerful hope that he didn’t die alone and uncomforted. It’s an interesting way to personalize the song. There’s more than a hint of John Prine here (Prine’s another one of Williams’ writing and drinking buddies). Car Wheels on a Gravel Road won a Grammy Award for Best Contemporary Folk Album, and received a nomination for Best Female Rock Vocal Performance for the single "Can't Let Go". It was six years in the making by some accounts, and involved scrapping the first complete attempt and re-recording it. It takes someone like Caleb Caudle. Here’s a song about the walls dividing us, performed by two Spanish musicians who prove that language is no barrier. It also ranks as the 60th most acclaimed album of the 1990s and the fifth most from 1998.[26]. Listen to Car Wheels On A Gravel Road for free online and … See the the cover photos, artwork, and latest images for Car Wheels On A Gravel Road by Lucinda Williams. The latter also worked with the songwriter on her 1998 effort Car Wheels on a Gravel Road. Few artists can make a song seem newly-born and yet ancient at the same time. “Can’t Let Go” was written by Randy Weeks, and it earned him a Grammy nomination. The album features guest appearances by Steve Earle and Emmylou Harris. He shines very brightly on this track. “Blessed” (2011) Anyone still clinging to the school of thought that artists tend to do their best work … The album features guest appearances by Steve Earle and Emmylou Harris. Car Wheels on a Gravel Road is the fifth studio album by American singer-songwriter Lucinda Williams. It’s a strong performance by the Memphis-based singer, who has covered more than one track from this album. It’s the work of an artist in full maturity and hard-won control, wrested from a male-dominated music scene. [4] She also worked with Steve Earle who said of the experience that it was "the least amount of fun I’ve had working on a record. Despite the spurned-lover viewpoint, this Car Wheels track has a breezy playful vibe about it. Rated #35 in the best albums of 1998, and #2043 of all-time album.. In 2003, the album was ranked number 304 on Rolling Stone magazine's list of the 500 greatest albums of all time. There are a few fine covers of this killer song, including one by the actor Peter Gallagher. (It was a punk label, Rough Trade, that gave Williams her first recording contract.) Track List: 1.1 Right in Time 1.2 Car Wheels on a Gravel Road 1.3 2 Kool 2 Be 4-Gotten 1.4 Drunken Angel 1.5 Concrete and Barbed Wire Car Wheels on a Gravel Road is the fifth studio album by Lucinda Williams. Are they brothers? [25], Based on such rankings, the aggregate website Acclaimed Music lists Car Wheels on a Gravel Road as the 303rd most acclaimed album in history. Album: Car Wheels on a Gravel Road, Artist: Lucinda Williams, MusicBrainzID: 493de006-33bf-3404-9bb7-1f3b0c22ce05, data, artwork, cover, cdart, spine, back cover Format: CD, Year: 1998, Label: Mercury Records (314 558 338-2), Barcode: 731455833829, Length: 51:48 Release “Car Wheels on a Gravel Road” by Lucinda Williams - MusicBrainz Log In The song would go on to be nominated for a Grammy. The upcoming album follows up 2017's Sweet Old World rerecording, This Sweet Old World . The amazing Shemekia Copeland and band have a good-time romp with it, too. [23] It was also included in the book 1001 Albums You Must Hear Before You Die[24] and in the third edition of Colin Larkin's All Time Top 1000 Albums (2000), in which it was voted number 836. “Joy” is another one of the genre-defying tracks on the album. Check out more Lucinda Williams covers in our archives. Even in the unorthodox spelling of the song title (yearbook inscription? It’s a song that doesn’t come from any standard-issue songwriter template. On their interpretation of the Car Wheels title track, the duo Tree Leaves clings to the original almost too tightly. "[5], The final version of Car Wheels on a Gravel Road was produced by Roy Bittan. This aggressive live take is by Tim Easton, who has worked with Lucinda in the past–he considers her a mentor. The playing is 101-level, with minimal chording and no ornamentation. Everything about the performance is nicely understated—when you’re this good, you get to be this chill. Buy Car Wheels On a Gravel Road. Lucinda Williams : Car Wheels On a Gravel Road CD (2000) Title: Car Wheels On a Gravel Road Artist: Lucinda Williams Genre: Country|Country-Rock Duration: 51.40 mins Format: CD / Album Type: CD No. Beyond having presence and being pitch-accurate, Espalin sings from within the song. View credits, reviews, tracks and shop for the 2014 180 g Vinyl release of Car Wheels On A Gravel Road on Discogs. Lucinda Williams – vocals, acoustic guitar, This page was last edited on 11 January 2021, at 06:25. It’s as if he’s imagining that he is the child in the backseat, but that doesn’t stop him from driving the song. 8-page booklet including lyrics. But had Duane Jarvis lived longer, he might have achieved stardom himself. Got an idea for a future pick? In the latest episode of Rolling Stone’s 500 Greatest Albums, our new podcast on Amazon Music, we dive into Lucinda Williams’ 1998 masterpiece Car Wheels on a Gravel Road, an album … Whatever that sweet-and-sour interval is that they hit on the word “ask” (which they take straight from Car Wheels), its perfection, and it’s all you can ask for in a plaintive love song. They trade verses back and forth, and then sweetly blend voices on the “All I ask…” refrain. Car Wheels on a Gravel Road is the fifth studio album by American singer-songwriter Lucinda Williams. It was recorded and co-produced by Williams in Nashville, Tennessee and Canoga Park, California, before being released on June 30, 1998, by Mercury Records. From their Bandcamp bio: “They currently make music in their respective homes of Atlanta, GA and Roanoke, VA, but every now and then get together to sang.” And they sure can sang. 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